Aaron Siegel (composer/librettist) is a composer for the concert stage and the theater. He is an enthusiastic collaborator who believes in the power of shared process and inquiry. In 2019, Siegel released A Great Many on New Amsterdam Records, featuring Mantra Percussion and clarinetist Christa Van Alstine. A recent collaboration with the U.S. Poet Laureate Tracy K. Smith resulted in the oratorio I Will Tell You The Truth About This, I Will Tell You All About it, which was premiered by Harlem-based Songs of Solomon Choir at the Schomburg Center. He contributed to the collaboratively composed opera, Chunky in Heat,  in May 2019 at The Flea Theater. Siegel has been developing the new music theater piece Rainbird with long-time collaborator, director Mallory Catlett, with whom he created his first opera, Brother Brother. Siegel is one of the co-founders of Experiments in Opera (EiO) and has produced over 65 new operatic works with the company since its founding in 2011.

Gelsey Bell (performer/creator) is a singer, songwriter, and scholar. She has been described by the New York Times as “a charismatic and fiercely intelligent performer,” whose performance of her own music is “virtuosic” and “glorious noise.” She has released multiple recordings, is a current HARP Artist at HERE Arts Center, and received a Foundation for Contemporary Arts award for music/sound. She is a core member of thingNY, Varispeed, and the Chutneys. Her works include Bathroom Songs, Scaling, Our Defensive Measurements, shuffleyamamba (with Yasuko Yokoshi), Prisoner’s Song (with Erik Ruin), This Takes Place Close By (with thingNY), and the acclaimed adaptation of Robert Ashley’s Perfect Lives (with Varispeed). Performance highlights also include Dave Malloy’s Natasha, Pierre, & the Great Comet of 1812 (Broadway) and Ghost Quartet, Robert Ashley’s Improvement and Crash, Matthew Barney and Jonathan Bepler’s River of Fundament, Kate Soper’s Here Be Sirens, and Gregory Whitehead’s On the Shore Dimly Seen. She has a PhD in Performance Studies from NYU and is currently completing a book about American experimental vocal music in the 1970s. She is the Critical Acts Co-editor for TDR/The Drama Review and an Associate Editor for The Journal of Interdisciplinary Voice Studies. www.gelseybell.com

Katie Geissinger (performer) loves performing new music theater. A long-time member of Meredith Monk’s ensemble, she was in the original cast of ATLAS (Houston Grand Opera), and recently coached the cast of the LA Philharmonic’s 2019 revival (featuring Tariq Al-Sabir), directed by Yuval Sharon. This season’s appearances with Monk include the workshop premiere of Indra’s Net in Oakland, tours of Cellular Songs, and Memory Games, a concert collaboration and recording (Cantaloupe) of Monk compositions with the Bang on a Can All-Stars. She recently performed Weave, a piece Monk wrote for her and Theo Bleckmann, at the Winnipeg New Music Festival, this time with Jeff Gavett. She is a recipient of an ensemble BESSIE for her work in The Politics of Quiet, and is featured on Monk’s Grammy-nominated Impermanence (ECM).  Katie performed in Philip Glass and Robert Wilson’s Einstein on the Beach (Elektra Nonesuch), Bang on a Can/Ridge Theater’s OBIE-winning The Carbon Copy Building (Cantaloupe), and Julia Wolfe/SITI Company’s Steel Hammer. She was featured in Ann Hamilton’s the event of a thread, with music by David Lang, at the Park Avenue Armory, and premiered Naamah’s Ark, an oratorio by Marisa Michelson and Royce Vavrek conducted by Ted Sperling, about the experience of one town during Hurricane Sandy. Katie appeared on Broadway in Baz Luhrmann’s La Boheme, and in Coram Boy. In addition to her many recordings with Meredith Monk, she has recorded the film soundtracks for Kundun, The Big Lebowski, and Noah. Her classical credits include the Witch of Endor in Honegger’s Le Roi David at Carnegie Hall, Jonathan Miller’s staging of Bach’s St. Matthew Passion at BAM, and John Tavener’s The Veil of the Temple at Lincoln Center. She is a frequent soloist at St. John the Divine under Kent Tritle, where she recorded The Four Quarters of Jerusalem (Pro Organo) with Rose of the Compass.

Shurmila Dhar (Performer) is a New York based vocalist. She began her classical vocal training in 2010 and continued her studies at the Peabody Conservatory where she graduated with a Bachelor of Music in classical voice performance in 2018. She has since branched out as a concert vocalist and improviser with a focus in contemporary classical. Her improvising style features a wide range of techniques that focus primarily on the extremes of the voice and its vast timbral palette as well as pushing the limitations of the human voice. Dhar has performed with a number of groups including Echo Ensemble and Aakash Mittal’s Awaz Trio. She has also performed several leading operatic roles including, but not limited to: Girl 3 in the U.S. premiere of Errollyn Wallen’s ANON, Dido in Purcell’s Dido and Aeneas, Adina in Donizetti’s L’Elisir D’Amore, and Pamina in Mozart’s Die Zauberflote. Her solo concert performances include Schubert’s Mignon Lieder, Wolf’s Italienisches Liederbuch, and Satie’s Cabaret Songs.

Tariq Al-Sabir (performer/music director) has been described as a “boundless talent” by Baltimore’s City Hall and The Examiner deemed him “a rising musical mastermind.”  In 2017, he premiered commissioned works  at The Lincoln Center, National Sawdust, and Joe’s Pub at The Public Theater. He collaborated with Kambui Olujimi and the Lone Wolf Recital Corps at MoMA in short film and live performance for the exhibition Projects 107: Lone Wolf Recital Corps. He nationally and internationally premiered the roles of Richard Moss and Travis Douglass in Octavia E. Butler’s Parable of the Sower, an opera by Toshi Reagon and Bernice Johnson Reagon. In 2018 Tariq was selected to be a member of the inaugural SUITE/Space Artist residency with the legendary Mabou Mines Theater Company, where he conceived and presented a workshop version of his theatrical-multimedia song cycle #UNWANTED in their new theater at Performance Space 122.  Al-Sabir served as music director for the Off-Broadway run of Black Light at the Public Theater and Greenwich House Theater. #UNWANTED premiered to the world at THE SHED in NYC among the inaugural Open Call commissions. In Summer of 2019 Al-Sabir made his LA Philharmonic debut in the cast of Meredith Monk’s, ATLAS under the direction of Yuval Sharon. He is currently collaborating with Monk on her new evening-length performance, Indra’s Net.

Andie Tanning (violin/creator) is a violinist and performer. She is the cofounder and musical director of Wild Shore New Music, now in its seventh year as Alaska’s premier new music festival. She released her debut album, “Dandelion,” in December 2018. Steve Dollar of the National Sawdust Log writes, “The stylistically diverse Dandelion is not only a scrapbook of Springer’s experiences and influences, but also an open and always surprising collaboration with composers and video artists whose spirits are illuminated through the violinist’s intrepid musicianship and exploratory nature.” She has toured internationally as a company member of the New York City Players, has served as a multi-instrumentalist in theater groups Object Collection and New Paradise Laboratories, was the fiddle player in the musical, The Snow Child, by John Strand, Georgia Stitt and Bob Banghart, and was a violin sub in the Broadway revival of Oklahoma!. Ongoing musical collaborations include a duo with guitarist James Moore and the minimalist rock band Thee Reps. Her album with James Moore, “Gertrudes,” was released on New World Records in 2016. She has performed at LA Opera, The Kitchen, The Pompidou, and Carnegie Hall. Tanning is faculty at Larchmont Music Academy and St. Lukes School. Her work has been reviewed by the New York Times, New Sounds Live, and The Wall Street Journal.