Board of Directors
Erin Flannery, Secretary
Carole Cheung, Treasurer
Grace Sur
Kathleen Schiaparelli
Nadia Berenstein
Roddy Bottum
Jason Cady
Aaron Siegel
Matthew Welch

Aaron Siegel, Executive Director
Experiments in Opera co-founder Aaron Siegel is a composer, percussionist, organizer, and educator.  As a composer, Siegel’s inquisitive and playful work represents a personal vision of how we live with and respond to the sounds in our world. He has written countless works for solo percussion, percussion ensemble, string quartet, mixed ensembles, chorus among others.  His collaboration with Mantra Percussion on Science is Only a Sometimes Friend for eight glockenspiels and organ was released in May 2011 on LockStep Records and hailed as “one continuous ecstatic sonic event,” and as one of the best records of 2011 by Time Out New York.

With Experiments In Opera, Siegel has premiered the opera short The Collector, and in May 2014 a full production of Brother Brother, based on the lives of Orville and Wilbur Wright. In 2014-15 season, Siegel is collaborating on Sisyphus with Jason Cady and Matthew Welch and is working on a monodrama for actor and 15 percussionists.  His new choral work for young voices The Mysteries of Nothing, will be premiered in Spring 2015 as part of The Young People’s Chorus of New York City’s Radio Radiance concert series.

In addition to his work as a composer of operas and innovative text pieces, he has performed extensively with Anthony Braxton and his improvised trio Memorize the Sky.  He also performed with Robert Ashley in a revival of his seminal work ‘That Morning Thing’ at the Kitchen in New York City. Siegel is on the staff of the Weill Music Institute at Carnegie Hall.  He lives in Brooklyn with his wife and son.

For more information, visit aaronsiegel.net

Matthew Welch, Artistic Director

Matthew Welch is a composer of innovative opera and genre-resisting concert music. Named one of “14 artists changing the future of opera,” by Huffington Post, and regarded as “a composer possessed of both rich imagination and the skill to bring his fancies to life” (Time Out NYC), Matthew’s musical adventures and collaborative spirit have brought him to work with some of today’s most noted musical personalities: Anthony Braxton, Martin Bresnick, Aaron Jay Kernis, David Lang, Alvin Lucier, Ikue Mori, Zeena Parkins, Julia Wolfe, and John Zorn. Mixing his backgrounds in bagpipes, gamelan, experimental, classical, rock and improvised music, Welch’s compositional sound is worldly and eclectic in material, yet personal and seamless in style.

Praised by the New York Times as “exquisitely ethereal” and “border-busting; catchy,” Matthew’s music has been performed in the US, Canada, South America, Europe and Asia. Matthew holds degrees in Music Composition from Yale, Wesleyan and Simon Fraser Universities, and as a bagpiper, he has won three World Pipe Band Championship titles. His ensemble, Blarvuster, has been based in New York City since 2002. Welch co-founded Experiments in Opera in 2011.

In 2016 Matthew Welch was commissioned to compose for San Francisco Girls Chorus and the MATA Festival with Ensemble NeoN (Oslo), with respective premieres at Davies Symphony Hall (SF) and Scandanavia House (NYC). Also In 2016 Matthew was awarded a fellowship from the Asian Cultural Council to explore traditional music and culture in the Philippines in Spring 2017. In December 2015 his residency at The Stone (NYC) featured 11 consecutive concerts of his multifarious music.

For more information, visit: blarvuster.com

Jason Cady, Artistic Director

The Wire described composer Jason Cady’s opera, Post-Madonna Prima Donna, as, “thoughtful satire, sharp composition.” WQXR’s Operavore praised his two-act opera Happiness is the Problem as keeping “the energy hovering at 11 consistently, fusing the stilettoed coloratura of Mozart’s ‘Queen of the Night’ with Glass at his most hyper-caffeinated; you’re left gasping at the end for a reprieve, while admiring the psychological underpinnings of Cady’s work.” New Music Box raved about the “colorful scoring, sassy rhythms, and sweetly angular melodies” in his one-act opera, The Mother.

Cady’s CDs have been released on Lockstep records and Peacock recordings. He has received funding for his projects from the Brooklyn Arts Council, New Music USA, free103point9, and the American Music Center. His music has been performed at Roulette, Issue Project Room, The Stone, (le) Poisson Rouge, Tonic and in many other venues in New York City and throughout the US from Arizona to Alaska. He has composed music for International Public Radio’s Studio 360. He has lectured on his music at New York University, New School University, and Arizona State University. He has been interviewed on WBEZ, WNYC, WPIR, KMFA and East Village Radio. NPR featured him in “The Mix: 100 Composers Under 40.”

Cady has an M.A. in composition from Wesleyan University, where he studied with Alvin Lucier and Anthony Braxton.  He graduated magna cum laude with a B.A. in Interdisciplinary Arts and Performance from Arizona State University, where he studied composition with Richard Lerman, Harold Budd and Daniel Lentz.  He was born in 1974 in Flint, Michigan and has lived in Brooklyn, New York since 2001.

For more information visit: jasoncadymusic.com