ABOUT THE ARTISTS

Anthony Braxton (born 1945), the Chicago-born composer and multi-instrumentalist, is recognized as one of the most important musicians, educators, and creative thinkers of the past 50 years. He is highly esteemed in the experimental music community for the revolutionary quality of his work and for the mentorship and inspiration he has provided to generations of younger musicians. Drawing upon a disparate mix of influences from John Coltrane to Karlheinz Stockhausen, Braxton has created a unique musical system that celebrates the concept of global creativity and our shared humanity. His work examines core principles of improvisation, structural navigation and ritual engagement – innovation, spirituality, and intellectual investigation.

From his early work as a pioneering solo performer in the late 1960s through to his eclectic experiments on Arista Records in the 1970s, his landmark quartet of the 1980s, and more recent endeavors, such as his cycle of Trillium operas and the day-long, installation-based Sonic Genome Project, his vast body of work is unparalleled. His small ensembles of the 1970s through to the present day are considered among the most innovative groups of their respective eras, while his Creative Orchestra Music has brought together the varying streams of American jazz orchestras, marching bands, and experimental practices with the traditions of European concert music in a wholly individual compositional voice. His continuing and evolving current systems of the past 15 years, including Ghost Trance Music, Diamond Curtain Wall Music, Falling River Music, Echo Echo Mirror House Music, and ZIM Music, have served as the artistic incubators for some of the most exciting artists of the current generation. Braxton’s many awards include a 1981 Guggenheim Fellowship, a 1994 MacArthur Fellowship, a 2013 Doris Duke Performing Artist Award, a 2014 NEA Jazz Master Award, and honorary doctorates from Université de Liège (Belgium) and New England Conservatory (USA).

Rob Reese is a director and writer based in NYC.  Opera credits include Kamala Sankaram’s Miranda, (Director, Co-Librettist), EiO’s Flash Operas (Director, Designer) and Opera On Tap’s Murder in the Key of Death (Director, Librettist) also composed by Ms. Sankaram.  Reese is the Artistic Director of Amnesia Wars Productions, with which he has written and directed such plays as Keanu Reeves Saves the Universe, Yahweh’s Follies, and 101 Reasons to Thank Your God for Donald J. Trump, Vladimir J. Putin, and My Dad Who’s a Dick.  AW’s next project is the immersive patriotic experience The Slightly Silly Party.

Composer Kamala Sankaram has received commissions from Washington National Opera, Houston Grand Opera, Beth Morrison Projects, the PROTOTYPE Festival, Opera on Tap, Opera Memphis, and the Brooklyn Youth Chorus, among others.  As a performer, Kamala Sankaram has performed and premiered pieces with Anthony Braxton, and the Wooster Group, among others, and is the leader of Bombay Rickey, an operatic Bollywood surf ensemble whose debut was named Best Eclectic Album by the Independent Music Awards Vox Pop.

Nate Wooley was born in Clatskanie, Oregon. He is known for his idiosyncratic trumpet language and mastery of extended techniques. Wooley made his debut as soloist with the New York Philharmonic at the opening series of their 2019 season. He is the editor of Sound American Publications, a journal dedicated to featuring the ideas and work of musicians in their own words. The journal has released 28 issues to date. He is the recipient of the FCA Grants to Artists Award and the Spencer Glendon Award for Ethics in the Arts. Wooley currently resides in Brooklyn, NY.