WHAT WE ARE LOOKING FOR:

EiO has a clearly defined set of criteria for artist selection to the Writers’ Room.  With every application, we ask ourselves and our assembled panel of guest writers and composers the following questions:

— Is the artist embracing new sounds and ideas? Are they willing to stretch as an artist? — How does the artist demonstrate their craft in their work? — Can the artist articulate clearly their interest in opera and musical storytelling? — Is the artist willing to ‘play well with others’ in a collaboration?  — Is the artist interested in feedback from the EiO Artist Leaders and the full community of artists?

WHAT A SUCCESSFUL APPLICATION INCLUDES:

For composers: — Can the composer show their interest in setting text for voice? — We are interested in work that uses a wide range of instruments and not just traditional orchestral instruments.

For writers: — Can the librettist construct an original plot? — We are particularly interested in writing that includes a demonstration of lyricism.

For all artists: — We highly recommend you listen to our past work to get a sense of the kind of work we support

WHAT IS THE FLOW OF WORK IN THE WRITERS’ ROOM:

Work in the Writers’ Room happens in two phases:  

In Phase One, writers and composers are paired up and commissioned to create a single 2-5 minute work for voice(s) and instruments.  Artists in the community will provide feedback and support to these collaborations, which will be shared as part of an open rehearsal.  Based on the above criteria, artists in the room will be eligible to take part in the second phase of work in the Writers’ Room.  Our expectation is that all of the artists we have selected for the project will continue on with the work in Phase Two.  If this collaborative methodology isn’t working for some of the artists (which sometimes is the case), we will consider the end of Phase One as the end of the project for select artists.

In Phase Two work will begin on the larger full-opera. The collaborative pairs may or may not be shuffled depending on the preferences of the involved artists.  Writers will work in an intensive period to draft and edit their full librettos in collaboration with the other writers and with input from the composer cohort. Once the librettos are complete, the composers will begin work with the expectation of at least two workshops for the full work before a premiere production in the second year of the project.

PROJECT DATES (Subject to Change):

April 15, 2024 -Application for Writers’ Room Available to the public

July 3, 2024 – Deadline for Writers’ Room Application

August 1 – 13, 2024 – Interviews with Applicant Finalists (remote)

August 16, 2024 – EiO will notify all artists of their application status

September 28-29, 2024 – Two-Day, In-Person Kick Off Meeting and Orientation.  This meeting is mandatory for all selected artists. (in-person NYC)

October 20, 2024 – Monthly Meeting with full Writers’ Room (remote)

November 17, 2024 – Phase One Commission Performance (in-person NYC)

December 2024 – Phase One Reflection and Holiday Party

January – February, 2025 – Writing Intensive period (in-person NYC) for the Phase Two libretti

March 16, 2024 – Full Writers’ Room meeting and libretto reading; handoff of libretto to composers (remote)

July 2025 – Workshop with orchestra and singers (in-person NYC)

Fall 2025 – Full Writers’ Room meeting to discuss edits and revisions (In-person NYC)

November 2025 – Second Full Opera Workshop (in-person NYC)

Spring 2026 – Premiere Production

FEE

Artists participating in the Writers’ Room will receive a fee of $3500.00 for their work as part of the project.